23–28 November 2026 · Castellammare di Stabia
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Babyface

Babyface poster: white title on a dark green background, with a red letter A.

A young wrestler dreams of a college scholarship, but the pressure to make weight enters his private life. Shawn Deninger’s Babyface explores sporting ambition, body image and the difficulty of asking for help.

Director
Shawn Deninger
Country
United States
Running time
00:16:53

For Tommy Sullivan, wrestling holds the promise of a future. He is a young athlete on his school team, with a college scholarship on the horizon and a desire to prove his worth. An unexpected setback, however, requires him to lose a substantial amount of weight within days. From then on, preparing to compete also means confronting a relentless image of his own body.

Babyface, an American short written and directed by Shawn Deninger, follows that pressure beyond the wrestling mat. Rankings, his coach’s expectations and the weight limit enter the protagonist’s conversations and habits. The prospect of college connects performance to something that seems larger than the next match: the possibility of building a life through sport.

The story moves between the gym, a school office and domestic spaces. Scales and mirrors accompany the monitoring of weight; tables and meals bring the conflict into his family and romantic relationship. Tommy tries to reconcile competitive preparation with the presence of those close to him, while fear, secrets and isolation make it increasingly difficult to speak about what is happening.

The physical dimension also takes shape through objects and spaces. Close views of the body sit alongside the distances of the gym; doorways separate public and private places. The cold lighting of training spaces gives way to warmer tones at home, without the domestic setting removing the tension. These elements trace the movement of sporting discipline into the boy’s everyday life.

The synopsis presents the film as a story about eating disorders in young men, masculinity and the cost of chasing an impossible standard. Its focus remains a fictional individual experience: Tommy’s dream, his relationship with food and the difficulty of making a suffering he tries to control alone visible to others.

Produced by Sofia Vargas and featuring Jakob Gruntfest in the cast, Babyface runs for just under seventeen minutes. Between training and private life, it approaches sport through the expectations surrounding it and the question of how much room remains for the vulnerability of the person competing.